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Miguel Kaleidoscope Dream Album Free Mp3 Download

2012 studio album by Miguel

Kaleidoscope Dream
Miguel-Kaleidoscope Dream.jpg
Studio album past

Miguel
Released September 25, 2012 (2012-09-25)
Studio
  • Gustavo's Golden Gloves Gymnasium (Los Angeles)
  • MJP (Los Angeles)
  • Platinum Sound (New York)
Genre
  • Alternative R&B
  • contemporary R&B
Length 42:11
Label
  • Blackness Ice
  • ByStorm
  • RCA
Producer
  • Fisticuffs
  • Happy Perez
  • Jerry Duplessis
  • Miguel
  • Oak Felder
  • Phatboiz
  • Pop Wansel
  • Salaam Remi
Miguel chronology
All I Want Is Y'all
(2010) 		Kaleidoscope Dream
(2012) 		Wildheart
(2015)
Singles from Kaleidoscope Dream
  1. "Adorn"
    Released: August 7, 2012
  2. "Exercise Y'all..."
    Released: September 18, 2012
  3. "How Many Drinks?"
    Released: March 3, 2013

Kaleidoscope Dream is the second studio album past American R&B singer-songwriter Miguel. It was released on September 25, 2012, by Black Water ice Records, ByStorm Entertainment, and RCA Records. After the commercial breakthrough of his debut anthology All I Want Is Y'all (2010), Miguel pursued a greater creative office on Kaleidoscope Dream as its principal author and producer. He recorded nigh of the album at Platinum Audio Studios in New York City and MJP Studios in Los Angeles, working aslope producer-musicians Oak Felder, Jerry Duplessis, and Salaam Remi, among others.

With the album, Miguel wanted to explore the roots of R&B beyond the genre'south contemporary trends and began playing guitar as a compositional source for his songs. With his studio personnel, he incorporated dumbo bass lines, buzzing synthesizers, and hazy, reverbed sounds into a musical style that draws on pop, funk, stone, soul, electronic, and psychedelic genres. Miguel titled Kaleidoscope Dream as both a metaphor for life and the creative freedom possible in dreams, while wanting to reflect his lifestyle and personality in the songs, which deal mostly with sex, romance, and existential ideas.

In marketing Kaleidoscope Dream, Miguel previewed the songs virally through a series of costless EPs. The album was promoted farther with three singles, including his biggest hit yet "Beautify", and his touring in Due north America and Europe from 2012 to 2013. Kaleidoscope Dream debuted at number three on the Billboard 200 with starting time-week sales of 71,000 copies, somewhen selling 535,000 copies full by 2015. One of 2012's most critically successful releases, it was viewed by reviewers equally an innovative and appealing R&B album, receiving praise for Miguel'due south singing and songwriting.

Background [edit]

Miguel released his debut album All I Desire Is You in November 2010 later information technology had been shelved by Jive Records for two years,[i] Information technology sold poorly at first and was underpromoted by Jive,[one] amongst the label's dissolution.[2] As its singles received radio airplay and Miguel toured in its promotion,[3] the anthology became a sleeper hit and helped him grow an audience and commercial exposure,[i] [4] along with his fervent concert performances.[5] After Jive was close down and absorbed past RCA Records, Miguel met a new marketing team to help present him as more than a typical urban gimmicky artist,[3] having felt force per unit area into beingness marketed every bit one by Jive.[6] He said that the experience of balancing creativity and business concern sense on his first anthology made him more than confident in his arroyo to Kaleidoscope Dream.[7]

Miguel sought to rebrand himself artistically with the second anthology.[3] Inspired by his more alternative musical influences,[viii] he wanted to change the sound and expectations of R&B songs on urban radio.[3] The album'southward championship, co-ordinate to Miguel, is "a metaphor for our life; anybody has their own Kaleidoscope Dream, it is the life that they project and information technology is the life that they are solidifying with their witting decision and their subconscious feelings."[9] Miguel also said that the album represents how fantasies are conveyed through dreams, which he felt embody "the purest form of fantasy nosotros unleash through our hidden ... the truest freedom we can experience. Totally unrepressed and totally artistic."[10]

Writing and recording [edit]

Alicia Keys (pictured in 2008) co-wrote and sang on "Where'due south the Fun in Forever".

Miguel worked on Kaleidoscope Dream for approximately three months.[11] He sought to play a larger creative role than he had on All I Desire Is You,[9] with more interest in the product and songwriting, writing or co-writing every song on the anthology.[12] The album'south writing also marked the beginning of Miguel's use of guitar as an musical instrument through which to compose songs.[13]

Kaleidoscope Dream was recorded at Platinum Audio Studios in New York City and MJP Studios in Los Angeles; the songs "Curvation & Signal" and "Gravity" were recorded at Gustavo's Golden Gloves Gymnasium in Los Angeles.[fourteen] Miguel spent nearly two years in New York City, which he felt allow him explore "the edgy side" of his life and consequently made his sonic approach grittier, proverb in an interview for The Village Voice: "I'one thousand not the 'go to the gild and pop bottles' kind of guy. That's non my lifestyle. I really similar to party, but it's ... just darker. I'grand looking for the speakeasy on the Lower East Side that has a secret door and a countersign."[15] Miguel recorded "Adorn" in 2011 in the bedroom of his Los Angeles apartment, which he used as a makeshift studio at the time.[6] Parts of the album were edited by Miguel and his engineers using Pro Tools.[14]

Miguel wanted the album to be "a pure and honest projection of my lifestyle and my kaleidoscope dream", and used the music's pace and audio to represent his lifestyle and the lyrics to represent his personality.[16] To sustain his creative approach, Miguel avoided media outlets that he commonly visited for music, including radio and Internet blogs. He drew on musical influences from early in his life, including archetype rock, country rock and funk.[xvi] An orchestra was enlisted and string arrangements incorporated in the music, along with a drum loop, to the album's championship rail, which he felt aurally defined the moods of his personality.[17] Miguel also worked with previous collaborators Salaam Remi and Happy Perez, amongst other producers.[12] Singer-songwriter Alicia Keys co-wrote and sang background vocals on the vocal "Where's the Fun in Forever"; vocalizer-songwriter Elle Varner co-wrote "Use Me";[14] and Brook D'Leau of J*Davey played keyboards on "Candles in the Sun".[12]

Apart from sexual themes, Miguel wrote virtually conversational and existential topics.[16] When writing "Pussy Is Mine", he drew on his sexual beliefs as a unmarried man and "moments of power and vulnerability" with a sexually promiscuous woman.[17] Miguel originally co-wrote "Where'southward the Fun in Forever" with Alicia Keys in Jamaica, a collaboration for her project.[eighteen] [17] Miguel deemed the notion of the song "such a personal thought and perspective", and felt very attached to it when the song was completed. Keys ultimately did non use the collaboration for her project, which Miguel was happy about, explaining to SoulCulture that "[Keys] was gracious enough to let united states keep it and it's i of my favourite songs on the album".[xviii] He wrote the anthology'due south title track in reaction to Jive's request for more than conventional urban songs, with unusual lyrics that lacked a hook, chorus, or form.[6]

Music and lyrics [edit]

The rock-influenced music of Prince (c. late 1980s) is cited by writers in comparison to Kaleidoscope Dream.

According to The Contained 's Holly Rubenstein, Kaleidoscope Dream is "widely considered a leading example" of alternative R&B; Miguel himself described it equally "avant soul".[xix] In the opinion of NPR'due south Frannie Kelley, the record combined R&B, pop, funk, rock and soul genres.[20] Its music features sparse production,[21] eccentric details,[22] thick basslines,[6] buzzing synthesizers,[5] and hazy, reverbed sounds.[23] AllMusic'south Andy Kellman establish the album "funkier and weirder" than All I Want Is Yous and observed an "illusory atmosphere ... intensified by some unexpected touches".[12] Maura Johnston said much of it "sounds, equally the championship might suggest, fractal."[23]

As an R&B album, The A.Five. Gild 'south Evan Rytlewski said, Kaleidoscope Dream deviated from genre conventions by minimizing the influence of hip hop;[1] Jim DeRogatis believed it notably draws "on elements of nifty psychedelic rock and pop to colour [the anthology's] soul and R&B".[24] Austin Trunick of Under the Radar compared the album's "oft-hypersexual subject matter" and "unusual production" to Prince,[25] while Rytlewski said Miguel evokes the musician's "pop instincts" and "loud, funk stone guitars".[1] Alex Macpherson of The Guardian perceived a "headier aesthetic" than on All I Desire Is You, with "faded psychedelia" and "intimate experiments in Royal Pelting-esque rock".[26] Writing virtually the record for WNYC, Gretta Cohn claimed Miguel was "redefining what contemporary R&B can be".[27] Marking Edward Nero of Almost.com considered the album "eclectic, artsy R&B-pop".[28] Miguel said he "definitely recall[southward] it's an R&B record, though other people may not ... [Listeners] are and so conditioned to expect certain things out of electric current R&B, and it's nigh following a formula. Only R&B was once live music, it was psychedelic, it was rock, it was funk, and all these genres stem from soul music ... There would be no hip-hop or rock without R&B. It was important for me to be truthful to what R&B is, and that is soulful."[7]

The album's lyrics more often than not deal with themes of developed love, meaningful sex,[6] and romance.[1] Andrew Ryce from Pitchfork interprets its "overarching theme" to be "the highly sexualized seen through the lens of the eager and innocent."[29] Miguel's lyrics limited modesty,[29] yearning, vulnerability,[half-dozen] and cheeky humor,[20] with Kelley likening his songwriting to Tony! Toni! Toné! while too observing "Piddling Richard-level insinuations" and "absurd provocations in the style of Akinyele".[twenty] DeRogatis views that Miguel avoids humbug and is "man enough to acknowledge his own insecurities and question whether he'southward worthy of love—or lustful indulgence."[24] The album explores the feet and momentary nature of sexual practice and clubbing.[xxx] Result 'due south Jeremy D. Larson views that Miguel employs a "fangs-out approach to R&B" like to Frank Ocean and The Weeknd, writing that "zippo shrouds Miguel and his directives, and worries, and prayers, and cat calls – it's all there, total of light and love, refracting through a kaleidoscope of rocks glasses, rainy windshields, and blood-shot optics."[21] NPR's Frannie Kelley said the anthology is "fabricated up of beloved songs, but they are more than specifically songs arguing for love, acting casual, wishing and hoping and so imagining what information technology would be like to complete ... Information technology's soul-baring, merely mirrored and fairly guarded."[20]

"Beautify" has both digital and analog sensibilities,[12] with lyrics featuring brazen declarations of affection,[12] and promises of adoration to a female subject area.[33] "Don't Look Dorsum" features amplified bass,[2] flatulent drums,[23] and metallic synths.[thirty] Rob Markman of MTV News writes that the vocal "represents the morn later on when the reality of the previous night's efforts pitter-patter in."[34] Its closing interlude has Miguel crooning lyrics from The Zombies' 1969 song "Fourth dimension of the Season" over sentimental synths and musky,[12] psychedelic music.[29] "Utilize Me" features hollow, electronic sounds,[33] heavily multitracked vocals, metronomic rhythms,[35] and an industrialized mix of guitar and percussion.[two] Its lyrics blur expressions of sexual nerves with gentle dominance,[6] as the narrator instructs his lover how she can toy with him.[23] An atmospheric popular rock vocal,[36] "Practice You..." portrays a narcotic tryst and mixes amiable come-ons with drug imagery.[23] [26] The psychedelic championship runway incorporates synthesizer arpeggios, modest chords,[36] aquiver blips, fuzzy guitar,[37] and a bassline interpolation of Labi Siffre's 1975 song "I Got The".[12] The sample'due south groove is played at a different tempo than other instruments on the song.[1] The vocal's lyrics feature synesthetic imagery ("I taste you, space colors"),[36] and a avowal by the narrator about kissing his subject'southward third eye.[37]

"The Thrill" has a sparse bass groove, layered keyboards,[22] and existential lyrics with YOLO imagery.[23] "How Many Drinks?" has sardonic,[29] swaggering lyrics and a rap poesy past Miguel,[23] who veers between seducer and user.[22] "Where's the Fun in Forever" features atmospheric drums and bass,[12] an a cappella bridge,[38] and rolling dynamics with measures that advance an statement.[39] The song celebrates youthful elation and preaches a carpe diem philosophy.[38] [26] Information technology transitions into the rock song "Arch & Point",[36] which has sexually charged ballet metaphors and blank power pop elements.[12] [38] "Pussy Is Mine" features a high song range past Miguel, a rudimentary chord progression played on electric guitar,[35] and a stripped, demo quality.[36] The song is about sexual jealousy and an ignoble man'south plea for exclusivity in a casual relationship.[30] Its sexually explicit, bawdy lyrics eschew masculine hip hop tropes for feelings of insecurity.[22] The song is bookended past groundwork studio chatter.[twoscore] "Candles in the Sunday" is a slow burning,[36] political soul song.[41] It touches on senseless killings, drug-infested communities,[42] and questions the existence of God and the motives of governments.[43] Chris Kelly of Fact writes that, along with "Beautify", "Candles in the Dominicus" "bookend[s] the album with another tribute to Marvin Gaye, a la 'What's Going On?'" [36]

Marketing and sales [edit]

Miguel performing in 2013

After pitching the strategy to RCA,[vii] Miguel kickoff marketed Kaleidoscope Dream virally with a iii-volume serial of EPs entitled Art Dealer Chic,[44] which were released as costless downloads during February to April 2012 and previewed songs from the album.[12] He released two more EPs—Kaleidoscope Dream: H2o Preview on July 31 and Air Preview on September 11—[45] to digital retailers.[iii] In an interview for The Hamlet Vocalization, Miguel said that the strategy immune listeners to absorb the songs at his desired pace and chosen it "a great manner for me to reconnect with my peers ... the people that I hang out with—that go to the same shows, listen to the same music, read the same blogs, same magazines."[44]

"Adorn" was released every bit Kaleidoscope Dream 's lead single on August 7,[46] becoming a sleeper striking on urban radio.[five] It was Miguel's 2d number-one single on the Hot R&B/Hip-Hop Songs,[12] and his highest charting single on the Billboard Hot 100 at number 17.[47] Past September, the unmarried had sold 190,000 copies.[3] According to NPR'southward Audie Cornish, Miguel "broke through to a national audience in 2012" with both "Beautify" and Kaleidoscope Dream.[48] The second unmarried "Do You..." was released on September eighteen,[49] and reached number 32 on the Hot R&B/Hip-Hop Songs.[fifty] The album's third and concluding single, "How Many Drinks?", was released on March 3, 2013.[51]

Kaleidoscope Dream was showtime released in vinyl LP format on September 25, 2012, in an effort by RCA to make the deadline for the Grammy Awards' eligibility period without charting prematurely on lower sales.[52] The post-obit week, information technology debuted at number three on the Billboard 200, selling 71,000 copies in the United states of america.[53] Information technology was Miguel's first album to be released in the United kingdom,[54] where it spent 15 weeks on the country'due south R&B nautical chart,[55] peaking at number 13.[56] By February 20, 2013, the record had charted for 20 weeks on the Billboard 200 and sold 321,000 copies, according to Nielsen SoundScan.[57] Past June 2015, the album had sold 535,000 copies in the Usa.[58] Information technology was certified platinum by the Recording Industry Association of America (RIAA) in November 2017.[59]

In further support of Kaleidoscope Dream, Miguel embarked on a short promotional tour in the US on September 26, 2012.[3] He also promoted the record with television receiver performances on 106 & Park, The Wendy Williams Prove, Tardily Show with David Letterman, and Jimmy Kimmel Live!.[threescore] He subsequently toured in back up of the album for half-dozen months throughout N America and Europe,[3] including concert dates every bit a supporting act on Trey Songz' Affiliate V Earth Tour during November 2012 to February 2013,[61] a headlining tour in the Britain and Ireland during Jan 2013,[54] and an opening slot on Alicia Keys' Set the World on Burn Tour in March and April.[62] While on tour, Miguel did not choreograph his shows but routinely rehearsed in a dance studio and practiced singing in front of a mirror. In concert, he performed dramatic leaps, staggers, and other moves fashioned after Little Richard and James Brown.[6] He started ripping his shirt off during performances afterwards existence inspired by Songz' concerts.[51]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
AnyDecentMusic? viii.0/10[63]
Metacritic 86/100[64]
Review scores
Source Rating
AllMusic [12]
Chicago Tribune [22]
The Guardian [26]
The Irish Times [65]
MSN Music (Expert Witness) A−[66]
Pitchfork 8.four/10[29]
Q [67]
Rolling Stone [33]
Spin nine/10[23]
USA Today [68]

Kaleidoscope Dream was met with widespread disquisitional acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the anthology received an average score of 86, based on 20 reviews.[64] Aggregator AnyDecentMusic? gave it viii.0 out of ten, based on their assessment of the disquisitional consensus.[63]

Reviewing the album for AllMusic, Andy Kellman hailed it every bit "2012'due south well-nigh pleasurable pop-R&B album".[12] In the Chicago Tribune, Greg Kot said Miguel "creates a fluid, dreamscape surround that floats across eras with a connoisseur'due south discerning feel for the telling detail."[22] Macpherson wrote in The Guardian of Miguel's occasional "appeal to indie tropes" counterbalanced past "genuinely thoughtful songwriting", while admiring his use of a commercial quantum "equally a springboard to radically change form".[26] Sean McCarthy from PopMatters wrote that, along with Frank Ocean's Aqueduct Orange, it showed R&B as the innovative genre in mainstream music during 2012,[2] while Los Angeles Times critic Randall Roberts said it "offers farther evidence of a genre beingness reborn in 2012."[39] Pitchfork 's Andrew Ryce hailed Miguel as "the rare vocaliser who makes yous feel what he'due south singing about, even when his lyrics tin can exist transparent."[29] Alfred Soto of The Quietus appreciated Miguel'southward ability to "articulate how a love man tin exist louche without being a douche."[35] Ken Capobianco from The Boston Globe was more disquisitional, finding some of the songs overworked and Miguel "likewise remote for a true soul singer".[69] New York Times critic Jon Caramanica said Kaleidoscope Dream sounds inconsistent and "a little done-out, a blend of Prince-isms and slurry grooves",[41] while Kellman complained of the lyrics occasionally veering "too close to 'cocked' teenage erotic poetry".[12]

At the cease of 2012, Kaleidoscope Dream appeared on several critics' lists of the year'south best records.[70] Ann Powers named information technology the all-time anthology of 2012.[71] Information technology was also ranked number 26 by Robert Christgau,[72] number eleven by The Guardian,[73] number 10 past the Chicago Tribune, number eight by Slate, number half-dozen by the Los Angeles Times, number five by AllMusic, Okayplayer, and Spin, number four by Entertainment Weekly, number three past Billboard, New York, and At present, and number one by Idolator.[70] Metacritic named it the 12th best-reviewed album of 2012.[74] The anthology was voted the fifth best album of 2012 in the Pazz & Jop, an annual poll of American critics nationwide, published by The Hamlet Vocalisation.[75] Kaleidoscope Dream was nominated for the 2013 Grammy Award for All-time Urban Contemporary Anthology, while "Adorn" was nominated for All-time R&B Performance and Song of the Year, winning in the Best R&B Song category.[76] In 2014, Pitchfork ranked the album at number 59 in their list of "The 100 All-time Albums of the Decade So Far (2010–2014)".[77]

Track listing [edit]

Kaleidoscope Dream track list
No. Title Author(s) Producer(due south) Length
ane. "Adorn" Miguel Pimentel Miguel 3:13
2. "Don't Look Back"
  • Pimentel
  • Nathan Perez
  • Happy Perez
  • Miguel
 4:26
3. "Use Me"
  • Pimentel
  • Warren Felder
  • Andrew Wansel
  • Steve Mostyn
  • Elle Varner
  • Ronnie James
  • Nycole Russell
  • Pop Wansel
  • Oak Felder
  • Ace[a]
  • Miguel[a]
4:twoscore
4. "Practice You..."
  • Pimentel
  • Jerry Duplessis
  • Arden Altino
  • Paul Pesco
  • Duplessis
  • Keyz[a]
  • Miguel[a]
3:28
5. "Kaleidoscope Dream"
  • Pimentel
  • Salaam Remi
  • Labi Siffre
  • Remi
  • Miguel[a]
iv:17
half-dozen. "The Thrill"
  • Pimentel
  • Allen Arthur
  • Clayton Reilly
  • Keith Justice
  • Miguel
  • Phatboiz
 3:04
7. "How Many Drinks?"
  • Pimentel
  • Remi
  • Roger Nichols
  • Paul Williams
 Remi 4:32
eight. "Where's the Fun in Forever"
  • Pimentel
  • Alicia Keys
  • Felder
  • Wansel
  • Mostyn
  • Pop Wansel
  • Oak Felder
  • Ace[a]
3:29
9. "Curvation & Point"
  • Pimentel
  • Mac Robinson
  • Brian Warfield
 Fisticuffs 3:17
10. "Pussy Is Mine" Pimentel Miguel 2:53
11. "Candles in the Sun" Pimentel Miguel 4:55
Total length: 42:11
iTunes bonus track[78]
No. Title Author(s) Producer(s) Length
12. "Adorn" (Remix) (featuring Wiz Khalifa)
  • Pimentel
  • Cameron Thomaz
 Miguel 3:47
UK bonus tracks[79]
No. Title Writer(s) Producer(s) Length
12. "Gravity"
  • Pimentel
  • Robinson
  • Warfield
  • Miguel
  • Fisticuffs
 iii:39
13. "...All" Pimentel Miguel 3:59
14. "Adorn" (Remix) (featuring Wiz Khalifa)
  • Pimentel
  • Cameron Thomaz
 Miguel 3:47
International bonus tracks[80] [81]
No. Title Writer(due south) Producer(s) Length
15. "How Many Drinks?" (Remix) (featuring Kendrick Lamar)
  • Pimentel
  • Remi
  • Nichols
  • Williams
  • Kendrick Duckworth
 Remi 4:30

Notes [fourteen]

  • ^[a] signifies a co-producer
  • "Don't Look Back" contains a portion of "Time of the Season", written by Rod Argent and performed past The Zombies.
  • "Kaleidoscope Dream" contains a sample from "I Got The... ", written and performed by Labi Siffre.
  • "How Many Drinks?" contains a sample from the O'Donel Levy instrumental comprehend of "We've Only Just Begun", written by Roger Nichols and Paul Williams and originally performed by The Carpenters.

Personnel [edit]

Information is taken from the album credits.[xiv]

Charts [edit]

Certifications [edit]

Release history [edit]

See also [edit]

  • iTunes LP
  • List of Billboard number-one R&B albums of 2012
  • Progressive soul

References [edit]

  1. ^ a b c d e f thou Rytlewski, Evan (October 9, 2012). "Miguel: Kaleidoscope Dream". The A.V. Guild. Chicago. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  2. ^ a b c d McCarthy, Sean (October 19, 2012). "Miguel: Kaleidoscope Dream". PopMatters. Archived from the original on Oct 26, 2012. Retrieved Dec 12, 2013.
  3. ^ a b c d east f g h Lipshutz, Jason (September 21, 2012). "Miguel's 'Kaleidoscope Dream': Inside The R&B Dynamo's Fresh Start". Billboard. Archived from the original on Oct 26, 2012. Retrieved December 12, 2013.
  4. ^ Graham, Nadine (March 24, 2011). "Q&A: Miguel". Soul Train. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  5. ^ a b c Kennedy, Gerrick D. (Nov 11, 2012). "Miguel helps atomic number 82 the charge for an edgier kind of R&B artist". Los Angeles Times. Archived from the original on November 11, 2012. Retrieved Dec 12, 2013.
  6. ^ a b c d e f g h Cooper, Duncan (November 16, 2012). "Miguel: Second Wind". The Fader. New York (83). Archived from the original on November 17, 2012. Retrieved December 12, 2013.
  7. ^ a b c Kot, Greg (November 21, 2012). "Miguel connects with the soul of R&B". Chicago Tribune. Archived from the original on November 22, 2012. Retrieved Dec 12, 2013.
  8. ^ "Miguel Releases 'The Thrill' Video". RTTNews. Oct 7, 2012. Archived from the original on Oct 26, 2012. Retrieved December 12, 2013.
  9. ^ a b Headley, Maxine (September 2012). "Miguel Interview". Contactmusic.com. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  10. ^ Romero, Angie (October four, 2012). "Album Review: Miguel'south Kaleidoscope Dream is Magical". ABC News. Archived from the original on October 26, 2012. Retrieved Dec 12, 2013.
  11. ^ McKynzie, Amber (Oct 19, 2012). "Kaleidoscope Dream: 'I Was Still Being Experimental and Artistic'". SOHH. Archived from the original on October 26, 2012. Retrieved Dec 12, 2013.
  12. ^ a b c d e f g h i j yard l yard n o Kellman, Andy. "Kaleidoscope Dream – Miguel". AllMusic. Archived from the original on December 3, 2019. Retrieved March 28, 2018.
  13. ^ Shipley, Al (n.d.). "Half-dozen-Cord Soul: Miguel'south Guitar Music". The Dowsers . Retrieved July 9, 2021.
  14. ^ a b c d eastward Kaleidoscope Dream (CD liner). Miguel. Black Water ice Records, ByStorm Entertainment and RCA Records. 88725-47203-1. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  15. ^ McManus, Brian (Jan xvi, 2013). "Pazz & Jop: Miguel Is Living The Dream". The Village Voice. New York. Archived from the original on January xix, 2013. Retrieved December 12, 2013.
  16. ^ a b c Goble, Corban (September 27, 2012). "Miguel Talks Kaleidoscope Dream". Stereogum. Archived from the original on October 26, 2012. Retrieved Dec 12, 2013.
  17. ^ a b c Thomas, Rebecca (October x, 2012). "Miguel Talks Kaleidoscope Dream, 'Friends' With Benefits: Watch Hither!". MTV News. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  18. ^ a b Poesy (September 18, 2012). "Miguel on Alicia Keys collaboration 'Where's the Fun in Forever'". SoulCulture. Archived from the original on Oct 26, 2012. Retrieved Dec 12, 2013.
  19. ^ Rubenstein, Holly (Feb 21, 2014). "Alternative R&B: Much more than bump'n'grind". The Contained. Archived from the original on May 29, 2016. Retrieved May 29, 2016.
  20. ^ a b c d Kelley, Frannie (September 23, 2012). "First Listen: Miguel, 'Kaleidoscope Dream'". NPR. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  21. ^ a b Larson, Jeremy D. (October 5, 2012). "Album Review: Miguel – Kaleidoscope Dream". Consequence. Archived from the original on October 26, 2012. Retrieved October 12, 2013.
  22. ^ a b c d eastward f Kot, Greg (Oct 12, 2012). "Album review: Miguel, 'Kaleidoscope Dream'". Chicago Tribune. Archived from the original on Oct 20, 2012. Retrieved December 12, 2013.
  23. ^ a b c d e f 1000 h Johnston, Maura (Oct 1, 2012). "Miguel, 'Kaleidoscope Dream' (Bystorm/RCA)". Spin. New York. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  24. ^ a b DeRogatis, Jim (October 18, 2012). "Anthology review: Miguel, 'Kaleidoscope Dream'". WBEZ. Archived from the original on October 27, 2012. Retrieved December 12, 2013.
  25. ^ Trunick, Austin (December four, 2012). "Miguel: Kaleidoscope Dream (RCA)". Under the Radar. Los Angeles. Archived from the original on December iv, 2012. Retrieved Dec 12, 2013.
  26. ^ a b c d eastward Macpherson, Alex (October 18, 2012). "Miguel: Kaleidoscope Dream – review". The Guardian. London. section G2, p. 23. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  27. ^ Cohn, Gretta (December 12, 2012). "Gretta Cohn'due south 2012 Music Survey". WNYC. Archived from the original on August 27, 2016. Retrieved May 29, 2016.
  28. ^ "Anthology Review: Miguel - 'Kaleidoscope Dream'". Archived from the original on November xi, 2012. Retrieved August 21, 2018.
  29. ^ a b c d e f Ryce, Andrew (October iv, 2012). "Miguel: Kaleidoscope Dream". Pitchfork. Archived from the original on October 26, 2012. Retrieved December 12, 2013.
  30. ^ a b c Alexander, Christopher (November 28, 2012). "Miguel / Neurosis: Kaleidoscope Dream / Honor Found in Disuse". Cokemachineglow. Archived from the original on Dec 1, 2012. Retrieved December 12, 2013.
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Further reading [edit]

  • Morgan, Clive (February xiii, 2013). "Video: Miguel – Kaleidoscope Dream – album track by rail". The Daily Telegraph. London. Archived from the original on Feb 13, 2013.

External links [edit]

  • Official website
  • Kaleidoscope Dream at Discogs (list of releases)

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